Saturday, September 17, 2011

dVerse Commenary I

A few years ago I found occasion to purchase a brand new suit from a leading retail clothier. This maker of fine linen, fashioned into fashionable apparel is known all over America for their quality men’s suits. To own one is like having a fine feather neatly placed in an Englishman’s hat.

Unfortunately, as I was dressing to attend a very important event, the left pant leg came apart at the seam running the interior of my left leg. As you can image, this came as quite the surprise. Of course I was angry, not at the price of the suit, nor my misfortune, but the poor “craftsmanship.” Yes, craftsmanship.

Hi. My name is emmett wheatfall. I will explain why I write my name lowercase in a future commentary.

In the coming months I will be writing brief commentary on the “Craft of Poetry” for members of the dVerse community of poets. I know, what qualifies me to write commentary on this topic. I’ll let you the reader come to your own conclusion about my qualifications. You can learn about me at http://emmettwheatfall.com. That way I don’t have to be pretentious. I always tell people “…eat the fish and throw away the bone.” If what I write edifies you, then great. If not, great. In any case, I look forward to sharing with you “my thoughts and perspective” on the craft of poetry.

If poets want to be recognized for their poetics, then craft must receive earnest attention. Everyone who reads a poem will critic it, whether academically or based on personal preference. Every reader is a critic.

Even the untrained eye will apply some form of judgment as to whether or not they view the poem as either good or bad. That’s just reality. Many of you who are poets will attest this fact. So, if you want to be a good poet you must pay attention to craft as an important element of being a poet.

What is craft? Trust me; I will not bore you with Webster’s definition. Personally, I define craft as “The earnest attention given to preparing one’s self for excellence through mastery of form, technique, and rudiments readily identifiable in an art or vocation.”

Evidence this definition is workable and applicable can be seen in some of the greatest living literary writers, performers, and athletes of our day. Coming to mind are such greats as Derek Walcott, Robert Pinsky, and Carol Ann Duffy; Meryl Streep, Aretha Franklin, and Robert Downey Jr., Michael Jordon, Wayne Gretsky, and David Beckham to name of few. Everyone one of them devoted themselves to craft. They have at one time or another been the best at what they do, having mastered form, technique, and the rudiments of their vocation.

In the coming months I will address craft more specifically to poetry. Until then, have fun writing great poetry.

Copyright 2011 emmett wheatfall
All Rights Reserved

1 comment:

  1. I'm glad I 'discovered' this new blog of yours, emmett.

    (My guess is that your lower-case orthography is both a form of humility and a poetic nod to ee cummings)

    ReplyDelete